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5/30: Blues and Brews Festival in Glasgow

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Hey folks.  Sorry about the delay in this blog posting.  I’ve been putting in 12+hour days in Butte on business and have had very little time to sleep, let alone blog.  My apologies.  

There’s something strangly exciting about playing in small towns.  (And for clarification, I mean small by Montana standards and microscopic for everywhere else.)  Last year, we had one weekend in early May where we bathed in Glendive’s salad fountain (I went back for seconds!) on Friday and drank ourselves drunk in Glasgow on Saturday.  It was certainly a podunk weekend, but we had a great time at both performances.  I’m going to go out on a limb here and say that those two towns rarely have concerts coming through town, so whenever one does, everybody and their mothers come out and dance the night away or rock the fuck out.  Plain and simple.  They’ll party if there’s partying to do.

Case and point:  this year’s Blues and Brews Fest in Glasgow, MT, where the beer flows like beer.  I didn’t engage in too many of the activities earlier in the day because I was busy driving across the 360 miles of nothingness, but from what I could smell on Josh’s breath and from what I could hear when he was talking on the mic during our set, it appeared that a good time was had by all.

There were three bands.  The openers, a Helena-based band whose names I cannot recall because I was still en route, received high praise from Josh, John and Levi.  They were followed by a stripped down version of the Dan Purser Band, starring Dan Purser on vocals/guitar and Leif…Smith (?) on percussion.  Dan’s set is very unique because he plays a good collection of originals and cover songs, but with the cover songs so altered that they only share the lyrics and a little bit of the melody of the version done by the original artists.  He plays in Billings quite often, and I highly recommend you go see him the next chance that you get, regardless of whether or not you live in Billings.

Our set was a lot of fun.  Although the crowd wasn’t as rowdy as it was last year, mainly because a wedding was taking place at the exact same time, the dance floor was still fairly crowded the entire time with people who were familiar with most of our songs.  There were a few times where our stage was commandeered by a handful of good looking girls eager to dance the night away with the three handsome gentlemen displayed before them with the musical instruments, which was quite nice.  I’ve never been one to turn down a dance with a good looking girl.  Unless, of course, she turns out to be a guy.

After our set, we had an encore with Dan and Leif from Dan Purser band, where the six of us essentially played a funky groove on a loop while Dan and John incorporated both improvised and well-known lyrics from popular songs.  It was like taking a musical trip through the late 90′s and early 00′s.  Now, an impromptu jam session such as that one could either end up great or totally shitty.  There’s no in between.  I remember when we did an all-star jam of “Hands To Yourself” with Wang Diddle Daddy for one of the M.A.P.S. shows back in 2007.  It consisted of four guitar players, two bass players, a couple of singers, and I think two drummers.  Cool sounding, right?  Wrong.  None of us could hear each other in our monitors, so it turned out to be the biggest clusterf**k of crap that I think any of us had been involved in at that point in time.

This jam session, however, was quite the opposite.  We had a solid groove, Dan and John sang their asses off, and the crowd didn’t stop dancing.  It was comforting to know that it wasn’t a total train wreck.

Highlights:

–Good work on the glow stick cups, Glasgow.  Those were super legit.

–Josh rocked the vote like it had never been rocked before.

–Even though I drove back to Bozeman separately, I think the guys will agree with me when I say that driving down US 191 with a slight hangover is one of the worst things in the world.

Setlist:

I’m getting bad at keeping track of these.  I have it in one of my suitcases at home somewhere.  I’m not sure where, though.  But I’ll find it!

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5/14: Bucking Horse Sale in Miles City (yee-haw!)

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May 14th marked another epic entry into the Clintons’ history book for several reasons: first, it was the maiden voyage of the Beamur, our newly decked-out Clintons/Jim Beamobile (which looks very badass, might I add); and second, it was our first (and hopefully not last) time performing at the Bucking Horse Sale in beautiful Miles City, Montuckett.  We had no idea what to expect.  Like our 2007 performance at Knievel Days in Butte, we had heard so many stories about the madness that usually ensued that we were kind of ambivalent about whether or not that performance would mark not only our final show, but our final evening altogether.  That’s right–we thought we were going to die.  

Good news–we didn’t!

We rolled into the Miles City fairgrounds at about 4 p.m. and promptly set up our equipment.  After a tear-jerking vocal check courtesy of yours truly, we got some grub, mingled with the locals, and popped open a couple of beers.  Josh and I did, anyway.  I don’t know about Levi and John.  Our short performance began at 7 p.m. with a thunderous “Three Day Bender” and didn’t let up until the last guitar squeal of “Jesus.”  Personally, I enjoy short sets because I feel as if we have a bigger impact on the crowd and leave them wanting more.  You know, just like a comedian who leaves after the final and oftentimes best joke of his or her routine.  (Note: not like Dane Cook, whose routine doesn’t contain any jokes.)  We played 13 songs, rocked them all, and left something to be desired–just like gentlemen always do.

Soon thereafter, the great Darryl Worley took the stage.  In case you haven’t heard of him, Darryl Worley is a country star whose patriotic ode to the victims of 9/11, “Have You Forgotten?”, was #1 on Billboard’s Hot Country chart for an unprecedented seven weeks.  I guarantee you’ve heard that song before.  His first song was very energetic and catchy and quickly roused the crowd into party mode.  

And then disaster struck.

disaster-movie-poster

(Note: Don’t see this.)

During his second song, Mr. Worley was rocking out on his Fender Stratocaster guitar, minding his own country business.  And then, all of the sudden, a lid from an offstage Tupperware bin got picked up by the wind and was guided directly into Mr. Worley’s forehead, knocking him to the ground.  As he rolled around on the ground, no doubt dazed and a little dizzy from getting clocked in the noggin, his band quickly put down their instruments and escorted the injured Mr. Worley to the local hospital to stitch up the fairly decent-sized gash on his forehead.  

Understandingly, the crowd was fairly worried that Worley’s departure marked the end of the show.  It’s safe to say that a lot of people would totally say, “F**k this,” after getting pelted in the forehead with a whatever-the-hell-it-was.  That’s probably what I would’ve done.  But about an hour and a half later, Worley showed just how much of a high-class gentlemen and performer he is by returning to the stage–with a smile on his face and a large bandage on his forehead–and giving the Miles City crowd one hell of a show.  ”‘Rub some dirt on it.’ Isn’t that what they say around here?”  he asked the crowed.

They responded, “Yes, that’s what they say around here, Darryl Worley,” in the form of raising their glasses and shouting incessantly.  

After his show, the four of us went downtown with some friends of ours and tied one on like it was nobody’s business.  What happened after that is confidential, but I can tell you that we all had a great time.

Highlights:

–Our barmaid, Andrea, bared a striking resemblance to American Idol and country star Carrie Underwood.  I think I pissed her off by continuously asking her to sing Kelly Clarkson songs.

–You remember Josh’s description on the old site, where it said, “Many have tried to go drink for drink with THE DAWG only to wind up in the hospital or dead”?  Well, I didn’t go to the hospital and I ain’t dead, bitches! HEH!

–For some reason, John thought it was hilarious that I went to the vending machine at our hotel wearing nothing but my boxers and my boots.  My feet were cold!  What the hell was I supposed to do?

Setlist:

I’ll post it once I find it!

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5/2: Santa Fe Reds in Billings

 

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Our Cinco de Mayo show at Santa Fe Red’s in Billings last Saturday was the last leg of what had been a marathon.  Thursday night was Dillon, Friday night was Bozeman times two, and Saturday was the home stretch.  Kind of.  We started playing at about a quarter after six, took a 2o-minute break, and then played till 10 o’clock on the nose.  If I were to guess, I’d say we played upwards of 35-40 songs throughout the course of the evening.  And we had a lot of fun doing it, too.  

Saturday night was the third time we’d performed for the Billings Santa Fe Red’s Cinco de Mayo, and it was probably the best of the three.  As I pointed out in the Friday tour blog, Montana weather can be really tricky.  The previous two Cinco de Mayo celebrations were cold as hell, even though they both took place the first weekend of May, when everything is supposed to start warming up.  This time, it was actually kind of warm, even after the sun went down.  Isn’t that something?  We all got into the Mexican spirit by drinking Bud Light Lime, and our girls did so by turning their sombreros into weird looking cowboy hats.  It was pretty hot.  In all, it was a great night for rocking out and a good way to end what had been a very long weekend.

Highlights:

–Someone got a new car.  Who could he be?

–Our friend Jessica Lechner performed inside the bar after we were done, and she kicked a lot of ass.  Good work, Jessica.

–I think we played almost every song in the Clintons songbook that night.  Wowzers.

Setlist:

You imagine it, we played it.  Seriously.  We were actually running out of songs to play.

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5/01: Bobcatfest and Mixers in Bozeman

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Quick summary:  Dillon was NUTS!

Now, on to our Friday night doubleheader.  Montana winters/springs are tricky.  For one, it’s oftentimes difficult to tell when one ends and the other begins.  Case and point: I spent 15 minutes scraping the ice off of my car last Wednesday morning, which was April 29th.  ”Ice,” “car,” and “April” typically don’t belong in the same sentence, unless you’re saying something like “People don’t need to scrape off the ice on their car in April because there isn’t any.”  Our odd weather makes it very tricky to schedule outdoor events.  Looking at the calender in March, you’d think that everything would be just hunky-dory by May 1st, right?

Not always.  On Wednesday, not two days before our first outdoor show of the year, Bozeman was covered in snow.  It was ridiculous.  We had a handful of decent days and were then bombarded by several consecutive days of crap.  I thought the show would be postponed and/or cancelled for sure.  But guess what?  The weather was beautiful, albeit a little chilly, and the show went on.  On top of that, it turned out better than I think any of us could have anticipated.  It was essentially a miniature Music on Main, but everyone made their way to the front of the stage instead of leaving an open area for jitterbugging or bumping and grinding.

It was refreshing to see a younger generation of college students–meaning kids who are much younger than us–dancing and singing along to just about every song on the setlist, which basically covered the band’s entire career.  The band first became popular through the dedication of the college students across the state, and it looks like current college students will continue to give us life.  That’s a good feeling.

After our set, we loaded up all of our stuff in the trailer and busted ass over to Mixers, where we were playing yet another show.  It was madness.  Unloading all of our equipment and setting it up inside can take a bit of time, especially when we have to use our own sound system like we typically do at Mixers.  By the time we began our set, we were all somewhat drained from getting Casper the friendly ghost out of our new mixing board and the unloading/loading/unloading from earlier that evening, but we still gave it every drop of juice we had and delivered for the Mixers audience.  I had originally written a set list for the night, but we kind of threw it out the window toward the end of the first set and just kind of played whatever popped into our head.  I’m pretty sure the four of us were about as efficient as a couple of slugs during takedown.  I was, anyway.  

Highlights:

–Western Skies lead singer/guitarist Mark Longie joined us onstage for a few tunes during our second set on Friday night.  It was mass rad.  That dude can play guitar.

–After singing the “Jesus” lyric, “Piss drunk on a roof and I don’t know how I got here” at Bobcatfest, we looked at the rooftops and noticed some people who were–you guessed it–piss drunk.  I wonder if they knew how they got there.  Heh!

–Holy Jesus, was Dillon bonkers!

Setlist for Bobcatfest:

Three Day Bender
Real Man
Undercover
LMP
Save the World
Chimney
Alright Tonight
College Daze
Baltimore
Free Ride
Jesus

Setlist for Mixers:

Like I said earlier, we deviated from this setlist pretty heavily.  Here are some songs that we played in no particular order:

Little Miss Perfect
Free Ride
Walkin’ on Air
Chimney
Dub-T Bootay
Save the World
Fan of the Bean
Leave Me Alone
College Daze
Abercrombie Jeans
Gimme Three Steps
Tush
Alright Tonight
Spiderman
Jail
Grinnell
Hands to Self
Dust on the Bottle
Birthday Suit
Friends with Benefits
Leave Me Alone

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Anti-Crap Radio: No Crap Allowed

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Never mind the picture.

Our pal Peter Rosten will be interviewing John and Levi on his much revered Anti-Crap radio show at 4 o’clock tomorrow afternoon.  If you’re in the Missoula/Lolo area, you can listen to them on 930 AM.  The show can otherwise be accessed at http://www.missoulasprogressivetalk.com via Internet feed.  I urge all of you to give them a listen and, if you feel compelled to do so, give them a call at (406) 728-0093 or 1-800-568-5309.  They’d love to hear from you.

We have a long weekend ahead of us, kids.  Be ready for some tour bloggage.

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4/25: The Depot in Butte, America (F**k Yeah!)

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Just about everybody and their mother have their own “I got so hammered in Butte that I (insert heinous act here)…” story.  It’s a right of passage for all Montanans.  I know I do.  I’ve been there for St. Patrick’s Day, Knievel Days, Tuesday, and everything in between; therefore, I have a few stories that begin with that little phrase.  I will not divulge them here, however.

That said, I think that many of Buttians will have one or two drunken stories to tell their friends about our show at the Depot on Saturday night.  Everyone certainly had their drinking shoes on that night and had no reservations about emptying their cups and cans down the hatch from the first song until our encore…and beyond.  It was the third time we’ve played in Butte in a little over the year, and it gave us a clear reminder as to why love playing in that town in the first place.  The four of us enjoy partying, but our partying stamina is feeble and weak compared to even Butte High freshmen.  Simply put, those kids–young and old–know how to party as hard as Andrew W.K., whose debut album contains four songs with the word “party” in the title.  They don’t hold anything back and they make sure that everyone else in the room is doing the same.  Naturally, that forced us to step up our game a little bit so that we could keep up with them.  It was tough, but I’m pretty sure we pulled it off and gave the Montana Tech students a night to remember.

Highlights:

–There was a girl there who was wearing a shirt that said “I’m a shit show.”  It’d be like me wearing a shirt that said “I’m a boy.”

–The opening band, whose name eludes me right now, kicked some major ass.  Good work, gentlemen.

–I took second place in a nine-person Twisted Tea race.  Hooray for me!

Setlist:

Free Ride
LMP
Friends
Potion
Alright Tonight
Birthday Suit
Kinky
Save the World
Pride and Joy
Real Man
Fan O’ Bean
Excuse for Jamming
Highway
Three Day Bender
Dub-T
College Daze
Baltimore
Dust on the Bottle
Leave Me Alone
Jesus
Hands to Self

Encore:
Abercrombie

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4/18: Tate-A-Palooza in Bozeman

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First and foremost, I’d like to wish our good buddy Tate Chamberlin of Chamberlin Productions a very happy, if not belated, birthday.  You’re one bad ass motherf**ker, Tater.

Josh and John started their night at about 3 p.m. in a stretch limo with Tater and 12 of his crazy friends.  Levi and I, being the pussies that we are, decided to play it safe and keep our alcoholism to a minimum by meeting up with the rest of the crew during at about 9 p.m., smack-dab in the middle of metal band Modifyde’s blisteringly awesome set of bad ass hard rockery.  Smack my buns, those guys were frakking GOOD.  Despite only having been together since January, their songs displayed a tight rhythm and steady beat that we couldn’t help but bob our heads to.  Their set showed us all exactly why they won the battle of the bands back in November.  Sheeyit.  On top of that, they were very nice guys.  They stuck around for our whole set and definitely wasted no time in getting their groove on with their gals.  They have skills to pay the bills.

Ever since the events of March 5, it seems to me Mixers has been the place to be on the weekends.  Sure, there are other bars that perhaps have some similarities to the R Bar, such as the Pour House and 317, but Mixers has been the only place that has been fully able to encapsulate the aura and attitude of the fallen bar, which could and should be attributed to the staff and management.  Mike Hope and both the R Bar and Mixers staffs have done a great job making Mixers Bozeman’s destination for good times and good tunes.  That said, it was great to be back at Mixers for the first time in about two months and play for the people who helped us become who we are today.  The crowd was a healthy mixture of first-timers and Clintons vets, and both found common ground on the dance floor, shaking what their mothers gave them.

We did things a little differently this time around.  With the absence of the R Bar, Mixers has been aiming to cater to the hip-hop crowd in addition to the country crowd, and I kept that in mind while constructing the setlist.  The evening consisted of many of our own country-tinged originals, a few of our rockers, and a dash of the hippidy hoppidy to keep it interesting for everyone in between.  The result was one kick-ass show.  We’ll be at Mixers after we play Bobcatfest with 10 Foot Tall & 80 Proof and the Black Mask on Friday, May 1st.  Be there or be square, everybody.

Highlights:

–Can’t say enough about Modifyde.  Don’t stop-a-rockin’, gentlemen.

–George did our sound again.  His soundboard ain’t got no knobs.

–We had pretty much the best medley ever in the second set.  No joke.

Setlist:

Free Ride
Alright Tonight
Friends
Birthday Suite
Potion
Lil’ Miss Perfect
Undercover World
Fishin’ in the Dark
Kegger
Save the World
Real Man
Brandy
Baltimore
Fan o’ the Bean
Excuse
Highway

Acoustical Jam

Strypez
Three Day Bender
That Girl
College
Dub-T Bootay
Dust on the Bottle
Best Medley Ever featuring Kyle “Chen” Chenoweth (a.k.a. Chen)
–Magic Carpet Ride
–Too Much
–Billie Jean
–One verse of Let’s Get Retarded
–Rapper’s Delight
–The Humpty Dance
–Jump Around
–Fresh Prince of Bel Air
–Hiphoppopotamus vs. Rhymenocerous
–Back into Magic Carpet Ride
Money
Outta Her Mind
Abercrombie (Rastified)
Leave Me Alone
Jesus

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Ducktales!

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Never has The Onion pissed me off so much.  I’m not going to be able to get this damn song out of my head for days.

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4/11: Machinery Row in Great Falls

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Wowie zowie zoo!

On Saturday,  we once again played at Machinery Row in Great (and the word “great” isn’t even good enough!) Falls, where literally tens upon tens of concertgoers were treated to an evening of alcohol, television, and alcohol.  We were also performing on stage, believe it or not.

Since Great Falls has always been batty over original music, the setlist once again consisted of absolutely no covers or exerpts of songs that were written by someone other than us.  And were they grateful?  Hell yes, they were!  Words cannot express the joy that shined on the faces of those in attendance as we played crowd favorites such as “Little Miss Perfect,” “College Daze (featuring shitty bass/drum fills),” “Spider-Man,” “Spider-Man 2: Dr. Octopus’ Revenge,” and, last but not least, “That’s One.”  At times, things got so out of hand that people were literally on the dance floor–dancing.  I ain’t shitting you.  It was that f**king crazy.

Highlights:

–The pizza was especially delicious.

–I’m pretty sure we set a new record for fastest take down, despite being bogged down by scores upon scores of voracious fans.

–I don’t think Levi and I had ever been so deep in the rhythm pocket before.  Suck our balls, Chad Smith and Flea!

–The drive back to Bozeman was very relaxing and comfortable.  Thank goodness for having an actual van and not a retarded van/truck lovechild.

Setlist:

Friends
Walkin’ on Air
Free Ride
Little Miss Perfect
Party (I Know, Right?)
Alright Tonight
Undercover World
5 Leaf Clover (sequel to 4 Leaf Clover)
Purple Poppies
Save the World
Real Man
That Girl
That’s One
Bean
Highway

Break

Bender
Kegger
Chimney
Grinnell
Booty
Potion
Perfect Is What This Is
Outta Her Mind
Come with Me
Spiderman
College
Leave Me Alone
Jesus

No encore.  Go home, everybody.

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4/10: The Railyard in Billings

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After months of straining our patience and our checkbook, we finally got rid of Mang and bought ourselves a new 12 passenger van and accompanying trailer.  Now we can drive to shows with confidence that our rig won’t randomly lose power, leak antifreeze, or simply not start at all.  That’s a good feeling, my friends.

Last Friday’s show at the Railyard was our first Billings show since St. Patty’s Day and first as a full band in nearly two weeks.  Our last full band show was in Missoula on March 27th.  Suffice to say, it felt good to get back on stage with the crew again, and I can only imagine how exhausted Josh and John must have been from playing 10 shows in 13 days.  I commend you, sirs.

But in all, it was good to be back in action and rocking out like it’s nobody’s business.  As great as the Railyard was on Friday night, it didn’t prepare us for what was in store the following night in Great Falls.

To be continued.

Highlights:

–Josh almost fell off the stage during “Jesus.” Good thing I caught him.  Man, that would have been embarrassing.

–Levi shaved his beard when he was in Phoenix, and I was very, very disappointed.  Ever read the story of Sampson in the Bible, Kweej?  Think about it.

Setlist:

Free Ride
Undercover
Friends and Benefits
Little Miss Perfect
Save the World
That Girl
SDIM
He Says/She Says
Grant
Birthday Suit
Senior Kegger
Alright Tonight
Brandy
Outta Way
Spiderman
Fan of Bean
Baltimore
Leave Me Alone

Acoustic Jams

Stryper
Bend-Hur
Real Man
Chimney
Outta Her Mind
Come with Me
Dust/Bottle
Dub-T
Excuse
Highway 
Jesus, If You Take The Wheel
Hands to Self

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New NIN Album!*

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Oh, Trent Reznor.  You never cease to amaze me.

Ever since seeing Nine Inch Nails in concert not once, but twice, I’ve had a love affair with the genius that is Trent Reznor.  The man is brilliant, and that’s something music lovers–not just Nine Inch Nails fans, but music lovers in general–would know and appreciate if they listened to any of NIN’s music.  Since 2005, NIN have released not one, not two, but four albums, each one unique and completely different from its predecessor.  Out of the four albums they’ve put out since 2005, being 2005′s With Teeth, 2007′s Year Zero, and 2008′s Ghosts I-IV and The Slip, which they offered on their website for free, my favorite would have to be the hard-hitting, apocalyptic themed Year Zero.  It’s just super bad ass.  If you haven’t checked out any of these records, make sure you do so.  And remember that everything was 100 times better live.  Not to rub it in or anything, but it’s true.

Now, Reznor is pushing the envelope even further (believe it or not!) with yet another brand-new album, this time with the man who’s known as the Jesus of production (to me), Timberland  Timbaland.  You know, he’s the guy who ruined One Republic’s hit “Apologize” by adding little “Ay, ay, ay”‘s to the mix. The new album, Strobe Light, follows the lead of former Soundgarden/Audioslave/credible frontman Chris Cornell, who decided to express himself as an artist by means of shitty faux rock/hip-hop instead of by, say, reuniting with his old band.  It’s likely to be the most expressive thing Reznor has ever done.  EVER.

Here’s the track listing, complete with credited all-star collaborators.

  1. Intro Skit
  2. Everybody’s Doing It (featuring Chris Martin, Jay-Z AND Bono)
  3. Black T-Shirt
  4. Pussygrinder (featuring Sheryl Crow) (apparently guaranteed to be the feel-good jam of the summer)
  5. Coffin on the Dancefloor
  6. This Rhythm is Infected
  7. Slide to the Dark Side
  8. Even Closer (featuring Justin Timberlake and Maynard James Keenan)
  9. On the List (She’s Not)
  10. Clap Trap Crack Slap
  11. Laid, Paid and Played (featuring Fergie of the Black Eyed Peas and Al Jourgensen)
  12. Feel Like Being Dead Again
  13. Still Hurts (featuring Alicia Keys)
  14. Outro Skit

You can bet your ass I’ll pay $18.98 for the download plus the additional $10 digital delivery convenience fee!  I love artistic expression, no matter how random, unnecessary, and, last but not least, shitty!

*Note: This is bullshit.

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